CRETI, Donato

Italian painter, Bolognese school (b. 1671, Bologna, d. 1749, Bologna) Italian painter and draughtsman. His individual and poetic art represents, with that of Marcantonio Franceschini, the last significant expression of the classical-idealist strain in Bolognese painting. His activity was almost wholly confined to Bologna, where he painted decorative frescoes, altarpieces and easel pictures for private collectors. Two qualities are paramount: a perfected finesse of handling and poetic suggestiveness of situation and mood. He sought the ideal beauty of the individual figure and was thus at his best in meditative pictures with few figures; his subjects combine grace of form and precision of contour with flesh that attains the surface delicacy of porcelain and colours that have a mineral-like refulgence.


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CRETI, Donato Achilles Handing over to Chiron dfg oil


Achilles Handing over to Chiron dfg
Painting ID::  6321
Achilles Handing over to Chiron dfg
Oil on canvas, 125 x 163 cm Palazzo d'Accursio, Bologna
Oil_on_canvas,_125_x_163_cm Palazzo_d'Accursio,_Bologna
   
   
     

CRETI, Donato The Charity dfh oil


The Charity dfh
Painting ID::  6322
The Charity dfh
1745 Wood, diameter: 79 cm Palazzo d'Accursio, Bologna
1745 Wood,_diameter:_79_cm Palazzo_d'Accursio,_Bologna
   
   
     

CRETI, Donato Mercury and Paris tyr oil


Mercury and Paris tyr
Painting ID::  6323
Mercury and Paris tyr
1745 Oil on canvas, 272 x 176 cm Palazzo d'Accursio, Bologna
   
   
     

CRETI, Donato Astronomical Observation Sun oil


Astronomical Observation Sun
Painting ID::  30601
Astronomical Observation Sun
mk68 Oil on canvas 20"13 3/4" Vatican,Picture Gallery 171-1720 Italy
   
   
     

CRETI, Donato Mercury and Paris oil


Mercury and Paris
Painting ID::  32283
Mercury and Paris
1745 Oil on canvas, 272 x 176 cm
1745 Oil_on_canvas,_272_x_176_cm
   
   
     

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     CRETI, Donato
     Italian painter, Bolognese school (b. 1671, Bologna, d. 1749, Bologna) Italian painter and draughtsman. His individual and poetic art represents, with that of Marcantonio Franceschini, the last significant expression of the classical-idealist strain in Bolognese painting. His activity was almost wholly confined to Bologna, where he painted decorative frescoes, altarpieces and easel pictures for private collectors. Two qualities are paramount: a perfected finesse of handling and poetic suggestiveness of situation and mood. He sought the ideal beauty of the individual figure and was thus at his best in meditative pictures with few figures; his subjects combine grace of form and precision of contour with flesh that attains the surface delicacy of porcelain and colours that have a mineral-like refulgence.

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